WATTEAU'S SOLDIER

Celebrated for his dreamlike paintings of amorous aristocrats and melancholy actors, Antoine Watteau (1684–1721) also produced a number of captivating works with military subjects-paintings and drawings––early in his career. They were executed when France was engaged in the costly and ultimately disastrous War of the Spanish Succession (1701-14), but they look past the turbulence of battle and the heroic deeds of generals and kings to depict the more prosaic aspects of war––marches, halts, encampments, and bivouacs. They focus on the quiet moments between the fighting, outside of military discipline, when soldiers could rest and daydream and smoke pipes and play cards. Although they owe a debt to seventeenth-century Dutch and Flemish precedents, they put forward a new, thoroughly modern vision of war in which the soldier's inner life, his experience of war, is brought to the fore. The inclusion of preparatory drawings after live models, alongside a group of major finished oils, highlights the relationship between drawing and painting in Watteau's work, and how he developed his ideas for the subject and composition of his paintings.