Mrinalini Mukherjee (Record no. 64)
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000 -LEADER | |
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fixed length control field | 02280nam a2200265Ia 4500 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 220316s9999 xx 000 0 und d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 978-8190472098 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | ARTO |
Item number | MUK |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Mukherjee, Mrinalini |
245 #0 - TITLE STATEMENT | |
Title | Mrinalini Mukherjee |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Name of publisher, distributor, etc | Shoestring Publishers |
Date of publication, distribution, etc | 2019 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 220p. |
Dimensions | 19.3 x 3.05 x 25.4 cm |
504 ## - BIBLIOGRAPHY, ETC. NOTE | |
Bibliography, etc | This revelatory monograph explores the work of Indian sculptor Mrinalini Mukherjee (1949-2015). Committed to sculpture, Mukherjee worked most intensively with fiber, making significant forays into ceramic and bronze toward the middle and latter half of her career. Within her immediate artistic milieu in post-independent India, Mukherjee was one of the outlier artists whose art remained untethered to the dominant commitments of painting and figural storytelling. Her sculpture was sustained by a knowledge of traditional Indian and historic European sculpture, folk art, modern design, local crafts and textiles. Knotting was the principal gesture of Mukherjee's technique, evident from the very start of her practice. Working intuitively, she never resorted to a sketch, model or preparatory drawing. Probing the divide between figuration and abstraction, Mukherjee would fashion unusual, mysterious, sensual and, at times, unsettlingly grotesque forms, commanding in their presence and scale. In retrospect, Mukherjee's artistic output appears iconoclastic, singular, calling out for assessment and analysis across multiple registers, as well as for an account of why, in hindsight, it was relegated to the margins. Within these pages are deliberations on Mukherjee's place within both an Indian and a more international art history, and her work's relationship to other fiber-art practices from the mid to late 20th century. This book will introduce Mukherjee to a new generation of scholars, art historians and artists. --Ben Davis "Artnet" |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Art |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Artists |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Contemporary Art |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | On Artist |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Sculpture |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Terracciano, Emilia |
Relator term | Contributor |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Ahuja, Naman |
Relator term | Contributor |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Ananth, Deepak |
Relator term | Contributor |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Jhaveri, Shanay |
Relator term | Contributor |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Watson, Grant |
Relator term | Contributor |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Item type | Books |
300 ## - PHYSICAL DESCRIPTION | |
-- | Paperback |
Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Permanent location | Current location | Shelving location | Date acquired | Source of acquisition | Cost, normal purchase price | Full call number | Barcode | Date last seen | Koha item type |
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Arthshila Santiniketan | Arthshila Santiniketan | Shelf: K4 | 16/03/2022 | Page 3 | 4900.00 | ARTO/MUK | BK00064 | 16/03/2022 | Books |